After graduating from the Faculty of Painting, I worked as a teacher and then retired. I am currently working as a painter in a studio in Izmir, Turkey. The subjects of my paintings are taken from life. Color and light are the foundation of my art. Instagram
oleksandr-dyvnich
Stefano Monteleone is a visual artist and architect who investigates the mechanisms of power, institutional dynamics, and the ambiguities of political representation through a pared-down and conceptual pictorial language. His research focuses on repetition, chromatic variation, and the relationship between form and meaning, questioning the stability of structures and the rhetoric of surfaces. Through architectural […]
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Born in 1965 in Jerusalem. After a short career as a producer and editor in television and the advertising world, he decided to dedicate himself to art.As an artist, he has worked over the years with various types of media – sculpture, assemblage, collage, drawing and painting. Today, his work is characterized by large formats […]
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Mari Momozaki (b. 1991, Japan) is a Japanese contemporary artist whose practice centers on memory, absence, and the physical traces of emotion. She has held two solo exhibitions in Japan and participated in group exhibitions in Tokyo and Los Angeles. Her work was featured in Visual Art Journal Issue 47, and her artist book is […]
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Francisco Marroquín is a Mexican painter whose practice is grounded in academic drawing and the tradition of realism, understood not as an end in itself but as a point of departure for a personal exploration of perception, color, and visual experience. He trained under the guidance of master Alejandro Creel, where he developed technical mastery […]
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I am a documentary photographer based in Istanbul. My work is driven not by the urge to capture, but by the responsibility of witnessing. Mentored by masters like Steve McCurry and David DuChemin,I have cultivated a visual language which I define by “Epic Intimacy”—a balance where cinematic atmospheres meet the deepest human emotions. My approach […]
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Adam Jahnke’s photographic practice operates at the intersection of embodiment, mobility, and technological mediation, positioning the bicycle not merely as a means of transportation but as a conceptual and performative framework. His panoramic images, produced while actively riding, resist the conventions of still photography and instead foreground movement as both subject and method. In doing […]
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